Lusatia : The battle for the pit. Climate activists in Germany.

Lusatia : The battle for the pit. Climate activists in Germany.

Lignite is one of the most important energy sources for electricity production in Germany, alongside other energy sources. According to the German Federal Ministry of Economics, it accounts for about a quarter of the total share. According to Wirtschaftswoche, approximately 70,000 jobs in Germany are linked to the mining and conversion of lignite into electricity. At the same time, their mining also has devastating consequences for nature. On November 30, 2019, thousands of climate activists in Germany campaigned against the mining of lignite and for renewable energies. The protest alliance “Ende Gelände” called for blocking several opencast mines in eastern Germany by means of mass protests. According to its own statements, the organisation is “a Europe-wide alliance of people from many different social movements”. They organized mass actions in German lignite mining areas since 2015.

"EXIT COAL - ENTER FUTURE" steht auf einem ausgerollten Transparent der Klima-Aktivisten.
“EXIT COAL – ENTER FUTURE” is written on a rolled out banner of climate activists.
Photo: Ende Gelände

Besides an open-cast mine near Leipzig (Saxony), two of the protest focuses were in the southern Brandenburg province, namely Lusatia. It lies on the eastern border of Germany with Poland, along the Neisse (German-Polish border river) between Berlin and Dresden. The protests once focused on the Jänschwalde opencast mine and the Welzow-Süd opencast mine.

The mine operating of LEAG (Lausitz Energie Bergbau AG) saves jobs

Lusatia is generally a structurally weak region, where over the last decades an increasing amount of young people have moved to the big city to study or to find their professional happiness. One could say that the region is slowly but surely bleeding dry. At least that is how many people living in Lusatia see it. LEAG will operate both opencast mines, which provides a large part of the regional jobs. That’s why many residents have no sympathy for the protests against lignite. Some of the protesters against it come from the region. Nevertheless, large groups from the nearby big cities of Berlin, Dresden and Leipzig, travelled to the site.

Already in the run-up there were tensions.

Already in the run-up to the protests there was viral reporting. First, fans of the nearby football club FC Energie Cottbus (fourth soccer division) mobilized with banners against the protest alliance “Ende Gelände”, as the Tagesspiegel reported. Cottbus, with 100,000 inhabitants, is the largest city in Lusatia and also has to struggle with the protests. The fans of the regional league club attracted attention several times in the past to these incidents. With slogans like: “When the end is in the field is not up to you! Our home – our future” or “Smash the end of the field!” the fans expressed their displeasure against the climate activists.

In addition, a picture appeared on the media in which a police unit posed in front of a painted wall with “Stoppt Ende Gelände” written on it. This caused various daily newspapers to mention this incident. As well as on social media platforms, where people justifiably accused the police of violating the principle of neutrality. The police withdrew this unit from duty, initiated disciplinary proceedings and the message on the wall disappeared by over painting it.

According to the RBB, the paint was obviously not enough to remove the slogan fully, and so some remains of the lettering remained clearly visible on the wall. Among them were the lobster (the coat of arms of the nearby town of Cottbus) and the letters “DC”. This again caused a sensation as the meaning of this abbreviation in local right-wing extremist circles is “Defend Cottbus”. In combination with the coat of arms as a sticker motif this is a clear positioning against foreigners and asylum seekers.

The protests began early in the morning.

The tense situation of the demonstrators didn’t lower their motivation and their first actions began early in the morning. With the concept of individual fingers, i.e. different partly coloured groups of activists, they tried to block logistically important points for the operation of the opencast mines. As the TAZ reported, the first blockade was already in place at eight o’clock. Afterwards about 500 activists in white painter’s suits slid down the slopes into the Jänschwalde open-cast mine to occupy the pit.

Eine Gruppe von Klima-Aktivisten beim Versuch die Kohlegrube zu besetzen.
A group of climate activists trying to occupy the coal mine.
Photo: Jens Voller

A group called “Anti-Kohle-Kids” blocked together with another group, including people with walking disabilities, a rail connection to the same open-cast mine. They also blocked tracks to the Jänschwalde power station. About 400 people from the green finger occupied the pit of the Welzow Süd open-cast mine. These and other actions led to the fact that the activity of the Jänschwalde power station had to be shut down and coal trains were travelling at reduced speed.

Friedliche Gleisblockade mit körperlich eingeschränkten Menschen.
Peaceful track blockade with physically handicapped people.
Photo: Pay Numrich

Coal supporters also organised events.

According to the RBB, some supporters of opencast mining, including the “Pro Lausitzer Braunkohle” alliance, also organised events. Already on Friday a family celebration took place at the Schwarze-Pumpe power plant in Brandenburg. Also on Friday, according to reports by the TAZ, the police picked up eight people. Presumably from the right-wing extremist spectrum, near a vigil at “Ende Gelände”. They were carrying axe handles and quartz sand gloves. Some of theirs were already known to the police for right-wing crimes. In Jänschwalde a vigil was held on Saturday for the preservation of the power plants. The occupants wore black painter’s suits in response to the white and colourful suits of the activists. On one of their banners was written among other things: “We won’t let Lusatia be wiped out”.

Klima-Aktivisten mit weißen Maleranzügen und einem Transparent mit der Aufschrift: "Ob Lausitz oder Rojava, Klimaschutz heißt Antifa!" in der Tagebaugrube.
Climate activists with white painter suits and a banner with the inscription: “Whether Lusatia or Rojava, climate protection means antifa!”
Photo: Jens Voller

However, the climate activists were sympathetic to the fears of the local people. For example, Kaya Fiedel from “Ende Gelände” expressed herself during a track blockade opposite RBB: “I understand people in Lusatia who are afraid for their professional future and also the anger. But I believe that the anger is actually directed more at the politicians, who for decades slept through the process of initiating structural change in an orderly fashion.”

Medial fight.

In the various news portals as well as in the social media there was a media tug-of-war about the contents and events of the day of action before, during and after the protests. According to the Tagesschau, a blockade of the tracks immediately in front of the power plant attracted a lot of attention. As the LEAG on Twitter spoke of an attempt by the demonstrators to storm the power plant.

The German Press Agency (dpa) said that about 200 activists had tried to get onto the site of the power plant. Parliamentary observers from the Left Party and the Greens contradicted on site the accounts and assured that a storming of the power plant had never been planned. The LEAG also made it clear on Sunday that it was probably only the impression of the demonstrators that prompted them to post their Twitter message.

Protests were largely peaceful.

Klima-Aktivisten bemalen sich friedlich die Gesichter.
Climate activists peacefully paint their faces.
Photo: Pay Numrich

Despite the tense situation in Saxony and Lusatia, the politically opposing positions, the 41 registered meetings with up to 4000 participants and the massive police presence of 2700 officers, the protests were largely peaceful. Towards the evening, the climate activists ended their actions. The demonstrators meticulously collected their garbage. Afterwards they left again by busses and trains.

A press release from “Ende Gelände” speaks of successful mass actions against the climate crisis and for the coal exit. Alliance spokesperson Nike Mahlhaus said: “We are happy with the successful action and happy that we sent such a strong signal for climate justice today. Today, 4000 climate activists together blocked coal infrastructure” and also commented: “If political leaders fail to protect the climate and our livelihoods, we will implement the coal phase-out ourselves”.

The literary beauty of graffiti

The literary beauty of graffiti

  • Bunte Wände in Berlin-Mitte

Is it art or is it trash?

We all know them, we all see them. In almost every city you can see walls, facades, bus stops or street signs painted with one or more tags. The English word “tag” means a mark or label with which the writer leaves his signature on a certain object and claiming a certain presence in the respective city by repetition. Accordingly, it is not surprising when one sees countless of these writings on already overloaded house walls. Often they are just pseudonyms of the artists. But occasionally a word, a quotation or a saying appears that makes you think and sometimes they are just simple symbols hiding a deeper meaning.

Omnipresent and yet expressive

But many people ignore this type of communication and see it as just another form of graffiti or property damage. I, on the other hand, see in them a testimony of our time, in which every person with a pen can create his very own message for his fellow human beings. This is where my article will start and invite the reader to take a short moment for such seemingly every day and insignificant inscriptions in the urban space. That’s why I have chosen five of my personal favorites according to my own subjective criteria:

The “FAKEFACE” in Milan

A fakeface between fake faces ? (Urbanauth / Milan, Italy)

In downtown Milan, a place where people of all ages photograph themselves or have their pictures taken in front of the cathedral, the Castello Sforzesco or the expensive designer shops of the Viktor-Emanuel-Passage, I discovered this blue lettering in a small corner. The impression of a certain irony arises when the inscription “FAKEFACE” is located where various people can be photographed for their social media channels and others simultaneously spend thousands of euros on clothing, accessories or jewellery. One could cynically claim that everyone there does something for their own fake face.

“Berliner Schnauze” – The sassy slang of Berlin citizens

The following two examples come from the upcoming Berlin district of Neukölln. A few years ago it was still called a no-go area, but today young and hip people increasingly settle there who can no longer afford the rents in Friedrichshain or Kreuzberg. Little by little, neighborhoods are emerging in which migrants, students, artists and workers live together. With such an up-and-coming district, it doesn’t come as a surprise to learn that an art festival called “48-Stunden-Neukölln” takes place once a summer in the entire district, for which every inhabitant can apply and present their own projects. The first lettering comes from one of the projects, but it is ambiguous whether it was an idea of the artist or the action of a messy writer among the visitors.

“Everybody wants to go back to nature but not on foot” (Urbanauth / Berlin, Germany)

“Everybody wants to go back to nature but not on foot”

In times when movements like Fridays for Future or Extinction Rebellion demand a radical change in climate policy, sayings and quotations on this topic are always present. But only a few of them have made me smile and think like this one. After all, self-reflection and irony are also a recommendation for some inhabitants of Berlin.

Practice makes perfect

“On this wall, Iam only practicing”(Urbanauth / Berlin, Germany)

A sprayer who was also on the road in Neukölln probably took this motto to heart. There is not much to say, except that red on yellow is always a good combination.

The classic

Quite common on urban surfaces all over the world: The “A” for Anarchy (Urbanauth / Frankfurt a. d. Oder)

I associate this example above all with personal memories. It’s the plain anarchy sign. Usually found on squatted houses, stickers, punk jackets or just electricity boxes. It is neither exceptionally beautiful nor particularly imaginative. But for more than eight years it was in a place relatively far away from squatters. Namely in the Brandenburg city of Frankfurt an der Oder in East Germany. This situation is representative of the considerable prominence of this symbol. You can discover it in almost every corner of the world. In the big cities or at the village bus stop and as well at the East German border to Poland.

Free the open spaces

“This is Buckaaauu!” (Urbanauth / Magdeburg, Germany)

The last image does not belong to the category of tags listed above, but can still be named in this context. Tags can also be attached in the form of stencils. This stencil with the famous Spartan from the movie “300” is located in Saxony-Anhalt. To be more precise, in the Magdeburg district of Buckau. In the German city at the Elbe there are numerous graffitis and tags. Among them also very special.

A few years ago, the so-called “open space” was still an area where there was essentially garbage, rubble and a few grasses and bushes, which were literally strewn with dog piles. But as the neighborhood, due to the low rents, increasingly developed into a neighborhood for young students and accordingly became more attractive for the housing market, the city began to build on the area more and more. Today there are several residential buildings, a kindergarten and construction sites for new projects. Perhaps that’s why the last Spartan was installed in the open space to protect it from the ultimate density of houses? Who knows …

This article is an adapted translation. The original article published in German was written by Karl Mühlbach located in Berlin. It is also available in French. The translation was done by Karl with reviews by Oliver and Vincent.

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